47 Editorial: metatheatre
The model of society of recent years in some countries of Southern Europe is about to be killed by the ethical crisis and its consequence of the economic crisis.
Therefore, being a corpse awaiting the death, we can observe with forensic eyes and consequently their causative agents and their mechanism of action can be described with a laconic diagnosis: metatheatre of criminals.
By metatheatre we understand the theater within the theater and consists in introducing a piece like frame within the frame of another work. Metatheatre development becomes the citizen into spectator of a fiction, the universality of wellness in a state of law with legal guarantees for citizens, which hides inside the true story of the looting of the public coffers.
For development of the metatheatre, is necessary the collaboration of mastermind, director, actors, stagehands and all with involuntary economic contribution of the citizen-viewer is needed.
This theatrical art, which in its modern version was reinvented by playwright and novelist Luigi Pirandello, Nobel Prize for Literature in 1934, has been successfully adapted to the political scene by criminals.
Hopefully by the year 2014 will bring us an improvement in the prognosis and nonsurgical treatment.